I thought the VPC collection enhanced my tracks and brought out tones that made my recordings sound more present. Both plug-ins have distinctively different sounds the FG-76 has a bolder, thicker sound while the FG-73 has a sound that’s slightly warmer and richer. It was able to color my audio beautifully and add some magic to the mix. I thought that overall the VPC collection sounded great. I’d be curious to test this out in the future as well to see how the VMS ONE and the FG-73 and FG-76 sound together. According to Slate Digital, when both modules are used together with the VMS ONE, they produce a result that sounds exactly like the Neve and Telefunken preamps they are modeled after. I do feel that I missed out a little bit when trying out the VPC, as I don’t own the VMS ONE. Though they won’t make up for a recording that was made using a cheap audio interface, they can some extra finesse to tracks that are well recorded on audio interfaces with average quality converters. The VPC collection can be effectively used to thicken up the tone of recordings made with standard digital audio interfaces, which can tend to sound a little flat. This switch takes place right after the input, before the audio enters the preamp’s algorithm. Below the trim is the Phase Reverse Knob, which reverses the signal’s polarity. The third control is the Trim, which is the output gain control. Virtual Drive can be used to create a thick, rich-sounding distortion effect when the Virtual Drive is turned up. When Virtual Drive is added, the saturation level of the Preamp is increased, but no level is added to the output. This LED lights up every time the saturation level is reached.īelow the LED bulb is the Virtual Drive knob, which is preamp gain that simulates the hardware gain, but has an external output gain to compensate for any level that’s been added by the gain. At the top, there’s an LED bulb, which displays the amount of “drive” applied to the Preamp. The controls on both the FG-73 and the FG-76 are simple and easy to understand. I especially liked the look of the FG-76, with its slightly industrial, minimal design. Both the FG-73 & the FG-76 have a GUI with a distinctively retro look. I’m happy to report they got back to me in a timely manner and helped me out to install the plug-ins.īoth the FG-76 and the FG-73 are designed to be used as modules inside Slate Digital’s Virtual Mix Rack, so it’s necessary to have the Virtual Mix Rack installed on your system. Since it was my first time activating and installing plug-ins on an iLok, I had to contact Slate Digital’s support team. The Slate Digital Plug-ins require an iLok2, so the first thing I had to do before testing these plug-ins out was pick one up from my local tech shop. The Virtual Preamp Collection (VPC) was designed to be used with Slate Digital’s VMS ONE Hardware Mic Preamp, but it can be used with onboard preamps and the Virtual Mix Rack to add classic color and vibe to tracks and mixes. The modeling algorithm is completely dynamic, and recreates every aspect of the preamp circuit from mild coloration to full on saturation and distortion. Each preamp has been modeled using a state of the art modeling technology to recreate the tone of the famous circuits. The Virtual Preamp Collection gives the authentic tone of two vintage microphone preamps to your DAW. Would these preamps really be able to add enough flavor and vibe to justify adding them into a producer’s arsenal? I decided to put them to the test and find out… The FG-73 models a famous discrete solid state British preamp, and the FG-76 is modeled after a famous classic tube preamp. The Virtual Preamp Collection is Slate Digital’s latest offering and the first preamp modulation they’ve produced.
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